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・ Pierre Allemane
・ Pierre Allen
・ Pierre Allix
・ Pierre Allorge
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・ Pierre Alonzo (footballer)
・ Pierre Alphonse Laurent
・ Pierre Amandry
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Piero Manzoni
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Piero Manzoni : ウィキペディア英語版
Piero Manzoni

Piero Manzoni (July 13, 1933 – February 6, 1963) was an Italian artist best known for his ironic approach to avant-garde art. Often compared to the work of Yves Klein, his own work anticipated, and directly influenced, the work of a generation of younger Italian artists brought together by the critic Germano Celant in the first Arte Povera exhibition held in Genoa, 1967.〔Grove Art Online, Arte Povera,〕 Manzoni is most famous for a series of artworks that call into question the nature of the art object, directly prefiguring Conceptual Art.〔Grove Art Online, Piero Manzoni, essay by Laural Weintraub,〕〔(Tate Online )〕 His work eschews normal artist's materials, instead using everything from rabbit fur to human excrement in order to "tap mythological sources and to realize authentic and universal values".〔
His work is widely seen as a critique of the mass production and consumerism that was changing Italian society (the Italian economic miracle) after World War II.〔(Art Invest/Manzoni biography )〕 Italian artists such as Manzoni had to negotiate the new economic and material order of post-war Europe through inventive artistic practices which crossed geographic, artistic, and cultural borders.
==Biography==
Manzoni was born in Soncino, province of Cremona. His full name was Count Meroni Manzoni di Chiosca e Poggiolo.〔Piero Manzoni, Catalog Raisoné, Battino & Palazzoli, p162〕
Self-taught as an artist, Manzoni first exhibited at the Soncino's Castle in Soncino in August 1956, at the age of 23. His early work was broadly gestural, and showed the influence of Milanese proponents of Nuclear Art, such as Enrico Baj.〔Manzoni, Celant, Electa, p22〕 His later works, from approximately 1957 until his death in 1963, questioned and satirized the status of the art object as it had been conceived throughout modernism. Influences include earlier(though still active) artists like Marcel Duchamp and contemporaneous practitioners Ben Vautier and Yves Klein.〔Silk, Gerald. Myths and Meanings in Manzoni's Merda d'artista, Art Journal, Vol. 52, No. 3, Autumn, 1993〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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